Language that cannot be attended to casually. A novel where the plot isn’t used to move the story but to move the language, to compel it. Whitman’s 20th century novel. If you’re wanting a good story, this probably isn’t what you’re looking for (so, by all means, blame the author for you’re having read the wrong book). If you’re looking for a good story told with a compelling use of language—language to be savored and considered and wallowed in—this is a great one.
For a good intro to this novel (especially for those who miss the days of an inspired professor talking about a favorite book) consider Amy Hungerford’s classroom discussion of The Crying of Lot 49